Tuesday, March 22, 2016

Creating bass slides using Fl Studio's Arpeggiator

Today, I'm going to share a cool different way to do slides and tricks with your sub bass. First things first, you need to load up a bass sample and set it up so that you have complete control over the sample. You can do this by slightly moving the CRF knob so that it uses loop points, or you can go into the INS tab and set the envelope to do the same thing.
















Ok, now you want to go to the FUNC tab in the sampler and mess around with the arpeggiator settings.













I recommend turning the slide setting on, so you get a smoother sound out of the arpeggiator and set the gat knob to the middle or all the way to the left.























You can now play around with the arpeggiator's time knob, up and down options, range/repeat values, and chord options. 

















If you right click the time knob and go to set, the knob has preset values to help keep things on tempo too.














So, that's pretty much it! Have fun playing around with this and hopefully you come up with some interested slides and sounds. Also, here is a link to a mini pack of slides I came up with - http://www.mediafire.com/download/wk32ao9gx9m7y2f/free_bass_slides.7z
















Wednesday, March 2, 2016

How To Fine Tune Music Samples

Oddly enough, there's not much about fine tuning music samples on the internet, so I decided to share how I go about fine tuning samples in Fl Studio. This should apply to all other DAWs, since they should all have a fine tuning option.

First, you have to figure out if the sample is actually out of tune and obviously you have to add other sounds to hear that. I suggest to start with a piano sound and try to play along with the sample. Pianos have a nice strong sound and make it easier to hear if the sample is out of tune. If the sample is out of tune, you want to go to the misc tab in the Fl channel sampler.

















Once you're in the misc tab, there will be a fine tune knob at the bottom right hand corner.













Then you can adjust the the fine tune knob to what you hear is best. This is where your ears come into play. There really is no correct value to set it at, but I recommend to start adjusting the knob between 0 -50 cents down or 0 +50 cents up. That's usually a good range to find the proper tune to match up with other sounds. It usually never ends up a 100% in tune, but it'll be good enough to not clash with other sounds. Also, if you're wondering where to look to see how many cents you're tuning the sample to, it should show up right above the Fl browser.







You could also do the opposite and fine tune your instruments to the sample. Most vst plugins have a fine tune knob, so that might help if you're still having problems with the sample's tune.













In the end, fine tuning samples really comes down to using your ears. If you aren't comfortable trusting your ears, it never hurts to do a little ear training. There are plenty of online free resources that can help with ear training.


Hope that has helped some of you guys out and I'll be sharing some more tips soon!













Tuesday, February 23, 2016

5 Tips To Keep Your Beats Interesting

A lot of times I hear solid beats made by producers, but after 30 seconds the beat fails to keep me interested enough to listen to it for any longer. So, today I'm going to share 5 tips that have helped me maintain relatively interesting beats.

1. Change those drums. This is probably the simplest tip on this list, but it's one of the most overlooked when making a beat. Repeating the same 4 bar drum loop for 4 minutes will get boring quick. Add drum variation throughout the beat. Take things out to build tension or add drum fills/snare rolls to transition into different sections of a beat. A really easy trick is to copy your existing drum pattern and change around the kicks, snare, ect. Keep doing that over and over and you'll end up with a bunch of different drum variations.

2. Copy. Paste. Change. Usually, when us producers are arranging a beat, we'll simply copy and paste whole chorus and verse sections. Too many producers will just stop there leaving each chorus and verse to be the exact same. Doing that is obviously going to make things too predictable, so take the extra time to add, remove, and rearrange things for additional verses and chorus sections.

3. Transition effects...use them. It surprises me how many producers don't use transitions in their beats. No cymbal swells to build into a crash. No synth effects to transition into the chorus. Just nothing. Transition effects are a great way to let the listener know a new section is coming in and keep things feeling fresh. Of course not all beat needs transitions, but the next time a beat is feeling a little stale try adding some in.

4. The power of Low pass filters,  High pass filters, phasers, flangers, ect. Using a filter can turn a regular old beat into something amazing if used properly. I've noticed a lot of people have gotten hip to filters, but only use them in an intro or outro. Think of filters as another way to build tension and create release at parts of a beat. Using a filter right before a chorus can cause it to hit harder or using a filter on a sound can cause a nice contrast between the verse and chorus sections. Phasers, flangers, and chorus effects are also great things to play around with. Adding them on certain sounds at different times in a beat can make things sound new or even adding them on the overall beat at times can beat a good way to transition into different parts of a song.

5. Expand your musicality. This tip takes a lot of effort. Especially, for me. I'm lazy at times...I must admit. Anyhow, really focusing on changing up musical elements in a beat is truly one of the best ways to keep a beat interesting. We'll often settle for a 4 to 8 bar musical loop and just omit things at parts to change things up. Sometimes, it's best to take things a step further by adding a unique intro, prechorus, bridge, and outro. Doing that, adds a sense of realism and keeps the listener on their toes.

Well, I hope my half decent written tips has helped somebody out there and if anybody has more tips to keep a beat interesting be sure to let me know and I might to a part two to this.

Sunday, December 27, 2015

Free Rap & Hip Hop Drum Kit 2015

Hey everybody!

Today I'm posting up a FREE drum kit myself and fellow producer MMC put together and released with the help of the great DjPain1 for other producers to use. The kit contains 6x 808 sounds 7x Clap sounds 7x Snare sounds and 3 snare roll loops 8x Hihat sounds and 12 hihat loops 3x Drum loop sounds 7x Kicks and 7x edm kick sounds 16x FX sounds 10x Percussion and 4 loop sounds 8x Cymbal sounds 12x bonus melodies 7x misc sounds. It's a pretty decent sized kit coming in at 172mb total, so hopefully my fellow producers can get some use out of it! Anyhow, I guess that's enough rambling about the details. You can get the kit here - http://bit.ly/1NH6rjX

Also, be sure to follow us and DjPain1 at the links below

DjPain1's Twitter @djpain1
DjPain1's Facebook page 
www.facebook.com/djpainone

My Twitter @ALL4_BEATZ
My Facebook https://www.facebook.com/All4beatz

MMC's Twitter @MMClassic7
MMC's Soundcloud https://soundcloud.com/mmc-4


Thursday, November 26, 2015

Free Hi Hat Loops

Happy Turkey Day! Here is a collection of FREE Hi hat loops made by me for my fellow producers out there. Enjoy! http://www.mediafire.com/download/ud37u34r5479jxs/DB_Hi_Hat_Loops.7z